October 21, 2014

(Source: egberts, via corelliaorbust)

October 21, 2014
daltonjamesrose:

🎉💀🎉

daltonjamesrose:

🎉💀🎉

October 21, 2014

socialjusticekoolaid:

Last Night in Ferguson (10.21.14): A state senator was arrested (and mama may have been legally packing), one of the lead organizers, nettaaaaaaaa, was roughed up by police, and one of the main sources of footage/live feeds, Rebel Z, was detained in what seems to have been an intimidation and straight up harassment tactic. The police are out of control, and it’s only getting worse. If you think this is over, you need to look again. #staywoke #farfromover

Ferguson is still happening. Are you still paying attention?

Tune into Z’s UStream tonight to watch developments live. 

(via art-is-the-word)

October 21, 2014

(Source: girlmountain)

October 21, 2014
d-pi:

Illustration for URB

d-pi:

Illustration for URB

(via bigredrobot)

October 21, 2014

(Source: archiecomics, via bettyfelon)

October 21, 2014
Yo son found out where you live

Yo son found out where you live

October 21, 2014

(Source: archiecomics, via bettyfelon)

October 21, 2014

Anonymous said: Tom, how does the perfect script for a comic book look like? What is needed? Page and panel numbers? Is a detailed explanation of the scene on panel appreciated, or rather unnecessary due to too much text? Is the dialogue written in uppercase letters? Does that even matter?

brevoortformspring:

Every script is different. There isn’t one single universally-used perfect format.

There are examples of scripts that can be found online around the web.

Also, a good resource for this sort of question is Brian’s book WORDS FOR PICTURES, which came out a month or two back. There are a few examples in there, plus a whole lot more valuable information.

October 21, 2014

comicbookcovers:

What The..?! #3, October 1988, cover by Mike Zeck and Bob McLeod

The Amazing Spider-Man #294,  November 1987, cover by Mike Zeck and Bob McLeod

(via funwrecker)

October 21, 2014
iasminomarata:

it’s the 15th! mis(h)adra #6 is here! read it, and if you love it, please buy it <3
i’ll talk more about it in detail later, but basically i’m going into a dialogue about a very underdiagnosed and unknown seizure called Complex Partial Status Epilepticus (which i’ve had episodes of before). as always, if you have any questions or thoughts about epilepsy, please feel free to message me ✩ happy reading! ✩✩

iasminomarata:

it’s the 15th! mis(h)adra #6 is here! read it, and if you love it, please buy it <3

i’ll talk more about it in detail later, but basically i’m going into a dialogue about a very underdiagnosed and unknown seizure called Complex Partial Status Epilepticus (which i’ve had episodes of before). as always, if you have any questions or thoughts about epilepsy, please feel free to message me ✩ happy reading! 

October 21, 2014
galasai:

Tom Lovelace
In Preparation

galasai:

Tom Lovelace

In Preparation

(via metaltits)

October 21, 2014
"I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don’t let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they’re going to strangle the life, spark, or spirit out of their work. […]

Let the characters surprise you. Let them take you somewhere you’re not prepared to go. Even if it means tearing up tracks — who cares? Let the characters make you cry or laugh, or let them scare you."

— Brian Michael Bendis, Words For Pictures (via comicquotations)

(via alexsegura)

October 21, 2014

roca-wear:

Giannina Oteto, T I T A N, by Mo Gaff

(via radio-x-maru)

October 20, 2014
Who wants to go on a dubaya-aay-el-kay?

Who wants to go on a dubaya-aay-el-kay?